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September 24, 2011
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Nirvana's "Nevermind," of course, was released twenty years ago today. This is a fact that makes me feel old. But also reflective.

I was a 14-year old kid living in the Seattle area at the time, and, not to spout cliches, but, like a lot of people, I had my life changed by that record.

I've read a bunch of Nirvana tributes, some interesting and some not, but I think my story is a little different from any of them.

Amanda Marcotte wrote an excellent piece about Kurt as a feminist–and he totally was, especially compared to the meatheaded sexism of the bands that grunge displaced, like Warrant or Poison.

Amanda, who is roughly the same age as me, writes about what Nirvana meant to young women–the fact that Kurt openly viewed women as human beings, was very supportive of female artists, spoke out against things like rape.

That was what drew me to the man, too, but in a different way. Nirvana convinced girls like Amanda that they could be badasses. But they were the first ones ever to say to me that I could be feminine. Unapologetically, outrageously feminine.

Kurt would say things like "I definitely have a problem with the average macho man, because they have always been a threat to me. I've had to deal with them most of my life -being taunted and beaten up by them in school. I definitely feel closer to the feminine side of the human being than I do the male."

Prior to that, the whole culture just seemed so sexist to me. I always felt more female than male, even before I was ready to deal with the implications of that, and sexism just made me feel unbelievably lonely and isolated. I never had any use for the image of masculinity that mainstream rock in the 80s was selling me (or, for that matter, the other side of that coin, the image of femininity that mostly seemed to be about breasts and being submissive to men).

Popular culture before Nirvana, as embraced by my peers, made me feel like a space alien.

But then there was Kurt. Openly proclaiming his femininity, wearing dresses onstage, declaring that women were people and femininity in men was acceptable, even admirable. I hadn't imagined anyone thought that. Almost overnight Nirvana became my favorite band, and Kurt my philosophical role model.

In the liner notes to the compilation Incesticide, Kurt wrote "If any of you in any way hate homosexuals, people of different colour, or women, please do us this one favour for us–leave us the fuck alone! Don't come to our shows, and don't buy our records." He wrote lyrics like "never met a wise man / if so it's a woman." I always imagined that the song "Been A Son," with its refrain of "she should have been a son," was about me.

I never thought of Kurt as the "voice of my generation" or anything. How could he have been? I was an outsider, and I felt that he spoke for me, and there was just no way I was enough like everyone else for Kurt to be speaking for them, too. I still feel that way–I don't claim ownership of the band, obviously, and a lot of people got a lot of different things from Nirvana, and art and artists are like that. But I will not have the frat boys, the meatheads, the sexists, the conservatives, the people who are cruel to those who, like Kurt, are different and not afraid to say so, laying claim to Nirvana. Nirvana is ours, not theirs.

(Fun fact: as a teenager I met Nirvana bassist Krist Novoselic at a Sky Cries Mary concert, and kissed him on the cheek.)

I will leave the analysis of what Nirvana meant in a broader cultural context to others. All I know is what Nirvana meant to me. Nirvana made me realize that if I wanted, I could be myself, and loudly proclaim it, and never be ashamed.
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:iconeagle1division:
*Eagle1Division Jan 28, 2012  Hobbyist General Artist
"macho man" is a wimp IMO. It's a ridiculous, terrible image of what masculinity is.
But I'm not rejecting myself for being a guy, I've been dealt that card, so I'll play it. I've just decided that masculinity is very different from that "macho man" image. Macho man is a joke...

I think a small guy that likes MLP and has dolls, but who's willing to stand up for what's right, is far more manly than the big bully who's strong, "macho", works out a lot, but uses his strength to bully others.

There's also this idea that macho man manliness is being insensitive. Being sensitive and caring, surely is a feminine attribute, but by no means is a lack of feminosity what masculinity is. If it's a positive trait, then it's something any human being should persue. That may seem a bit paradoxical, but let me draw an analogy. Masculinity and feminosity, are like justice and mercy:

There's justice and there's mercy. They're both good things. However, Justice says a criminal must pay his dues. Mercy says they should be forgiven. So which should be done? They're both good, but they're different.
And actually, they're connected. Mercy is, itself, a form of justice. And justice is, itself, a form of mercy for the victim.
Justice isn't a lack of mercy - it's actually a form of mercy.
And mercy isn't a lack of justice - it's actually a form of justice!

And yet they are two distinctly different things that call for different actions! They're the same thing, good, but in two different forms, two different prespectives, so to speak.

From the viewpoint of Justice - it makes us mad to think a murderer could get away with such a vile crime!
From mercy - we have sympathy for the criminal, he was emotionally hurt, angry, he lost control of himself...

So which is to be done? Mercy can't rob justice, but neither should justice rob mercy.

They're both good principles, good mindsets, and even overlap a little, but yet they are distinctly different. That's how masculinity and feminism is, to me. Two distinctly different things, both good, but good in different ways.

Mercy alone robs justice, and justice alone is devoid of mercy. It take both to be complete.

And in that same way it takes both masculinity and feminism for a being to be complete - which is what marriage is, two beings joined together as one, to be a complete whole.
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:iconlongtom:
My mother's former neighbors once had several cats, all males. The then-kitten was chasing one of the older ones around the dining room table. The eldest, who had trouble moving, got up and walked up and got between them and hissed at the kitten, who left the other cat alone after that.
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:iconlongtom:
And before Kurt...
[link]
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:iconlongtom:
Very interesting article. But let's face it: the Rolling Stones were originally a band symbolizing rebelliousness and revolution, and over the years have turned into a self-parody of their old image, with the members known for doing tons of drugs or banging women.
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:iconpedantia:
*Pedantia Sep 26, 2011  Professional Digital Artist
Maybe, but with the Stones it was always a pose (Jagger is a graduate of the London School of Economics), and from the beginning their schtick was very much about banging women ("Satisfaction" and "Under My Thumb" are both pretty misogynistic songs, and that's just off the top of my head).

Kurt was a poor kid from a collapsing logging town, who, whatever his failings (and he had many), sincerely believed in equality and spoke up for it.
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:iconmalkmusian:
~Malkmusian Jan 3, 2012  Student Writer
You know that even misogynist songs can be good if they're written very well. People know not to take that shit seriously. That's why hair metal is stupid - their songs were always about the same thing. They never had the freshness nor the talent that bands like the Rolling Stones had.

The way you worded your little spiel against the Stones makes it sound like you believe they have absolutely no cultural context whatsoever. Well, they inspired the bands that would later inspire the three lads from Aberdeen.

However, rebellion isn't always Nirvana or the Stones. To me, it's a double album released by a promising abstract artist who somehow managed to work out a major label contract back in '69. His record practically inspired every form of music that was to come. And despite having some of the most chaotic rehearsals in the history of music, his record promoted more things than what Kurt could do with four power chords and lyrics poking fun at teenage "rebellion": the acceptance of homosexuality; conservation of nature; natural beauty; feminism; anti-war campaigns; and anti-corporate greed.

The record? "Trout Mask Replica."
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:icondoodlesthegreat:
It was one of those moments where things took a strange turn. I remember driving down Canoga Ave. in a grey '88 Ford Tempo, 27 years old, doing lousy in college and heading to yet another meaningless temp job, pondering how boring life was.

At the time, the whole hairmetal bullshit was bouncing along, blissfully ignorant & stupid and about as relevant and interesting to me as watching paint peel. A bunch of guys in spandex and leather crowing about how awesome they were, how big their dick was, how many women they banged, how much money they had. All things I never had, never would have, and never wanted to have. You couldn't tell one band from another, and they liked it that way. (If you've never heard Patton Oswalt's "Wevewolves and Lollipops," he skewers the genre with laser precision.)

The car didn't have anything but a radio, so I was flipping around channels when I settled on KROQ, which had spent the 80's promoting the New Wave movement. I guess I was just looking for something familiar. Devo's always good...

Ten simple chords
Ten more
Repeated
Drums come in, crashing, dramatic, energetic, guitars scream out like a angry child
Then soft again
That voice...

I pulled over and parked, just listening to what was coming out the speakers, paying desperate attention to what the singer was trying to say. Someone had decided to record a primal scream and stick guitars and drums on it. You know how some songs make you get up and dance? This one made me want to get up and burn down civilization. It was loud, raw, & angry, it was everything I was feeling about myself and the world, and it made me realize I wasn't alone.

When it was over, I kept asking myself "Who in the HELL did I just listen to?"

Followed by "Is there more like that? Please?"

On comes Kevin Ryder of Kevin & Bean. "And that was a new band from Seattle called Nirvana, and their song 'Smells Like Teen Spirit.'"

I WANT MORE.

Fuck yeah, I remember the first time I heard them.
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:iconpedantia:
*Pedantia Sep 26, 2011  Professional Digital Artist
A few chords and the truth. And for a brief and shining moment, honesty was cool.
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:iconstampydragon:
That was a really interesting article. Thanks for sharing.
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